“The New Mankind with the Magic Crown”
Different grey granite
60x80x200 cm
(Andres Institute of art international sculpture symposium)
USA
2011
The sculpture work would be a new figure among us, I am curious to imagine the new mankind in architectural construction, crowned with the magic crown which gives him the extra power to reach all peoples and spread the flavor of peace and best wishes for all of them.
Ascending Egyptian Turtle
Grey granite
100x40x230 cm
(Nashua international sculpture symposium)
USA
2012
The turtle in ancient Egyptian philosophy represents darkness in the world. It relates to the world underneath, so it is earthly. In the process of architectural development, the rough stone mass represents the Earth. The turtle coming through in vertical pose and ascending its way to the sky is the opposite of reality. The flat treatment of the turtle helps to emphasize the thrust, especially when it follows the natural mass of stone with its geometric architecture causing deep shadows. The downward diagonal angle of the turtle's appendages further emphasize the upward movement.
Pyramidal Gathering
Galla Marble
200x200x250 cm
(Sodic international sculpture symposium)
Egypt
2009
Pyramidal construction inspired by Saqqara step pyramid of Djoser, designed to be a sitting area, the levels was formed to have comfortable spaces for single, couples or groups to spend interesting time over sculpture work having a little speech.
Composition has a center core with different four treatment faces. The Quadrilateral core in center formed as a throne to be the back ground of any of the sitters who trying to interact with the sculpture.
In the presence of the king and the queen
Rose granite
110x130x250 cm
(Aswan international sculpture symposium)
Egypt
2009
Sculpture field is too much concerned with the relationship between viewers and the art compositions, so these two vertical geometric forms which represent the king and the queen who crowned with the feathers of MAAT(truth and justice symbol in ancient EGYPT) in special abstract formulation, left a narrow corridor in between, allows the viewer able to be in it through a few up stairs. Those moments convey the person to get this spot to have an extraordinary feel in the huge of this glory presence.
“The Throne”
Limestone
160x120x250 cm
(Horice international sculpture symposium)
Czech Republic
2007
Throne is always well protected, very strong very elegant.in stepped architectural construction pretend the sited glory figure in a structure reflecting the solidity of the entity, crowned with the feather of MAAT (truth and justice symbol in ancient EGYPT) in special abstract formulation, also seen the door in the front face of the throne indication to the communication probability between the others.
The center of the installation is kept from the left and right side with a strong massive blocks of stone, refer to the protection ,start from inside by flat surface as mirror of the forming style of the center area , and very rough naturally as mirror of the nature surrounding all the installation.
The king and the queen
Rose and Black granite
160x170x240 cm
(Aswan international sculpture symposium)
Egypt
2005
Two figures in architecture construction represent the respectable relationship is supposed to be between king and queen, there is a space but no separation. The sizes and the characters of surfaces also refer to the compatible between both. In the top of the space seen the plate of the game they are playing together.
Sitting figure
Rose granite
100x160x240 cm
(Aswan international sculpture symposium)
Egypt
2001
A figure sited in compact mass inspired by the famous ancient Egyptian group of cub or block statues, you can see over the architectural form which realize the main existence of the sculpture work some features indicate to the human body parts. The harmony between the geometric and organic treatments is essential in the plastic plan of this art work.
The Joy
Turkish Marble
70x80x300 cm
(Madinty international sculpture symposium)
Egypt
2016
This work represents a composition merge the figure with the architecture construction, vertical structure inspired by the Egyptian obelisk topped with face has only nose and mouth, without eyes indicating to the self-concentrated. In the middle of the mass lotus flower faced the viewer to celebrate the victory.