USA 2011
USA 2012
Sodic 2012
Aswan 2009
Czech 2007
Aswan 2005
Aswan 2001
Madinty 2016

USA 2011

“The New Mankind with the Magic Crown”
Different grey granite
60x80x200 cm
(Andres Institute of art international sculpture symposium)
USA
2011

 

The sculpture work would be a new figure among us, I am curious to imagine the new mankind in architectural construction, crowned with the magic crown which gives him the extra power to reach all peoples and spread the flavor of peace and best wishes for all of them.

USA 2012

Ascending Egyptian Turtle

Grey granite

100x40x230 cm

(Nashua international sculpture symposium)

USA

2012

The turtle in ancient Egyptian philosophy represents darkness in the world. It relates to the world underneath, so it is earthly. In the process of architectural development, the rough stone mass represents the Earth. The turtle coming through in vertical pose and ascending its way to the sky is the opposite of reality. The flat treatment of the turtle helps to emphasize the thrust, especially when it follows the natural mass of stone with its geometric architecture causing deep shadows. The downward diagonal angle of the turtle's appendages further emphasize the upward movement.

Sodic 2012

Pyramidal Gathering

Galla Marble

200x200x250 cm

(Sodic international sculpture symposium)

Egypt

2009

Pyramidal construction inspired by Saqqara step pyramid of Djoser, designed to be a sitting area, the levels was formed to have comfortable spaces for single, couples or groups to spend interesting time over sculpture work having a little speech.  

Composition has a center core with different four treatment faces. The Quadrilateral core in center formed as a throne to be the back ground of any of the sitters who trying to interact with the sculpture.

Aswan 2009

In the presence of the king and the queen

Rose granite

110x130x250 cm

(Aswan international sculpture symposium)

Egypt

2009

Sculpture field is too much concerned with the relationship between viewers and the art compositions, so these two vertical geometric forms which represent the king and the queen who crowned with the feathers of MAAT(truth and justice symbol in ancient EGYPT) in special abstract formulation, left a narrow corridor in between, allows the viewer able to be in it through a few up stairs. Those moments convey the person to get this spot to have an extraordinary feel in the huge of this glory presence.     

Czech 2007

“The Throne”

Limestone

160x120x250 cm

(Horice international sculpture symposium)

Czech Republic

2007

Throne is always well protected, very strong very elegant.in stepped architectural construction pretend the sited glory figure in a structure reflecting the solidity of the entity, crowned with the feather of MAAT (truth and justice symbol in ancient EGYPT) in special abstract formulation, also seen the door in the front face of the throne indication to the communication probability between the others.

The center of the installation is kept from the left and right side with a strong massive blocks of stone, refer to the protection ,start from inside by flat surface as mirror of the forming style of the center area , and very rough naturally as mirror of the nature surrounding all the installation.

Aswan 2005

The king and the queen

Rose and Black granite

160x170x240 cm

(Aswan international sculpture symposium)

Egypt

2005

Two figures in architecture construction represent the respectable relationship is supposed to be between king and queen, there is a space but no separation. The sizes and the characters of surfaces also refer to the compatible between both. In the top of the space seen the plate of the game they are playing together.     

Aswan 2001

Sitting figure

Rose granite

100x160x240 cm

(Aswan international sculpture symposium)

Egypt

2001

 

A figure sited in compact mass inspired by the famous ancient Egyptian group of cub or block statues, you can see over the architectural form which realize the main existence of the sculpture work some features indicate to the human body parts. The harmony between the geometric and organic treatments is essential in the plastic plan of this art work.   

Madinty 2016

The Joy

Turkish Marble

70x80x300 cm

(Madinty international sculpture symposium)

Egypt

2016

 

This work represents a composition merge the figure with the architecture construction, vertical structure inspired by the Egyptian obelisk topped with face has only nose and mouth, without eyes indicating to the self-concentrated. In the middle of the mass lotus flower faced the viewer to celebrate the victory.